Interview with Susanna Sonnenberg
The Southeast Review Online, Spring 2008
Michiko Kakutani of The New York Times said of Susanna Sonnenberg‘s memoir: “Writing in sharp, crystalline prose, Ms. Sonnenberg… plung(es) readers into a sort of perpetual present tense in which we are made to experience, almost firsthand, the inexplicable and perverse behavior of an impossible woman from the point of view of her aghast, bedazzled—and immensely gifted—daughter.” In this interview, she talks candidly about the difficult process of crafting this startling memoir.
Q: You mention in the preface “(t)his is… subject to the imperfections of memory.” I think that the relationship between writing and memory is a dynamic, fluid process. So, I’m interested in what happened as you wrote this memoir… did your recollection of the events evolve or shift due to the act of committing them to paper?
Art gives you control. That’s part of why we make art, I think, so that we can hold and shape and come to terms with something that has had control over us.